The gallery in Denmark sent me a copy of the review of my exhibit there. It was, of course, in Danish and I didn't have a clue what it said. This week a Danish friend of mine translated it for me. It's a good review. The reviewer obviously looked closely at the work, wasn't just parroting back what I or other people have said about it.
Leya Evelyn’s paintings create resonance with everyone caught in her pictorial world. The abstract paintings reach and move all with an aptitude for aesthetic pleasure. In her paintings, Leya Evelyn is working from inside outwards. Inside, or firstly, she has glued pieces of fabric onto the canvas. Some of these pieces of thin fabric, whose strong colours and patterns are allowed to peek through, are strengthened by the art work’s further colour choices. Other of the collaged fabrics are pieces of thick canvas of various sizes cut into geometric shapes. The pieces are completely covered with paint, but their forms become visually distinct as shadow effects. These fragments are therefore included as important components in the overall composition of the art works. The layers of paint are many, and even if the colours must be said to be primarily strong and expressive, there are, in every coloured surface, an infinite variation of nuances.
These are strong contrasting colours but the result is never garish. Leya Evelyn seems to have an almost intuitive perception of all the colours' ability to interact. The composition of these art works can, in general, be said to have been built up by geometric, angular forms. But these are, at times, softened by circular movements, often in contrasting colours. In reality it is perhaps wrong to comment separately on colour, form and composition in Leya Evelyn’s paintings. It is clear that for her there is a great coherence, and that all parts are mutually dependent on each other. The art works testify to Leya Evelyn’s repeated experimentations with and investigations of relationships between form, colour and composition, and that she, through these, has reached her very own expression and pictorial language. The works are simply wonderful. One can only hope that this is not the last time that paintings will be sent from Leya Evelyn’s Canadian studio to Denmark.
By: Alice Bergholt Nilsson (firstname.lastname@example.org)
At a time like this, when I am busy getting ready for two exhibits, one here September 21 with Elin Neumann and the one in Switzerland, October 26, it's good to feel my work is appreciated. I also spent about a week in front of the computer screen (not fun) preparing photos for perusal and use by the galleries. The hardest part is picking titles. I'm also busy stretching and priming canvases because there is no more room in my studio to paint. I'll be glad when I can ship some paintings out. The freedom not to be teaching has definitely helped my work, not only in amount but quality. So it will be interesting to see what happens when they are on public display.Posted by leya at September 8, 2007 06:57 PM